THE METAL IS NOT THE GAP
On most eternity rings the gold between the stones is what is left over — whatever the setting needs and nothing more. The aim is to show as little of it as possible.
The Marisa treats it as half the design. Between every bezel sits an X, two bands of gold crossing over each other, and it is shaped, polished and as deliberate as the diamonds beside it. The ring alternates a closed circle with an open crossing: solid, void, solid, void, the whole way round.
That is why there are eleven stones on this band rather than the sixteen or twenty a fully stone-set ring of the same size would carry. The circumference is being shared.
THE SETTING
Each of the eleven round brilliants at 2.50 mm is closed in a full bezel — a continuous collar of metal rubbed over the girdle until it sits flush.
A bezel around a round stone is a true circle, and the eye catches an imperfect circle faster than any other error. Here that difficulty is doubled, because each bezel is read directly against the curves of the X beside it: two different kinds of round form, side by side, where any wobble in one shows up against the other.
SPECIFICATIONS
Diamonds — 11 round brilliant, 2.50 mm, 0.065 ct each. 0.72 ct total.
Certification — these are melee diamonds and are not individually certified, which is standard practice at this size.
Setting — Full bezel, linked by crossed gold bands.
Metal — 14K or 18K gold, in yellow, white or rose. 2.86 g at 14K, 3.37 g at 18K.
Diamond origin — natural or lab-grown, to preference.
Made to order. Two to three weeks from order to dispatch.
Because the diamonds encircle the entire band, an eternity ring cannot be resized once it has been produced. Please size carefully before ordering.
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